Over at fusil of yarn, samuelcanread points out this fox. I say big deal... She has a big triangle shaped head that makes her look like ET. Now what about this fox! OMG it's Betty White!

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Gimpei learns some Spanish!

by Gimpei | 12:14 in | comments (3)

Estimado Señor Tarantino,

Me llamo Gimpei y quiero que tú filmes mi guión cinematográfico brillante. Creo que tenemos muchas cosas en común: yo soy americano y tú eres americano, mi pelo es marrón y tu pelo es marrón. A veces yo bebo agua y tú bebes agua también. Como a ti, me gusta leer novelas e ir al cine, y como tu yo soy un Aries. ¡Nosotros somos como la misma persona!

Yo soy de “el Guapo”, una villa pequeña en una isla que se llama “el Jefe”. Hay muchos colinas con vistas al mar y a la ciudad. Un parque está en el centro de la villa, rodeado por dos barrios residenciales. El Guapo es una localidad aletargada; el centro está siempre cubierto de un manto grueso de niebla. En las noches el sonido de las sirenas de niebla resuena a través de las colinas, cantando a la gente de la ciudad para que se duerma con un murmullo profundo. Como nosotros somos como la misma persona, naturalmente tú eres mu inteligente y te gustará mi guión cinematográfico.

A la espera de tus prontas noticias, te saluda atentamente,

Gimpei

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The shame!

by Gimpei | 21:15 in | comments (0)

I'm just writing this post in order to bump my previous post out of the pole position. I looked at it again today and started wondering what the hell I was thinking. Still, the Nabokov clip is cool.

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Damn Nabokov is cool. He reminds me of the mental image I had of Pnin when I was reading Pnin. I also love how he declines to ascribe any overarching meaning to the book, and asks that it simply speak for itself.

Its so much better than all the awful conceptual art we have these days, which is incapable of standing on its own, and instead justifies its existence by "challenging preconceptions." Often these challenges come in the form rehashed and outdated continental philosophy (e.g. making us aware of the limits of our language games through the use of the sublime) or else epiphanies akin to an undergraduate psych thesis (e.g. when Douglas Huebler asked museum visitors to write down one authentic secret and then collected them in an 1800 page book. Guess what? Most of the secrets are the same! Oh my God!).

I've always found the underpinnings of conceptual art to be profoundly stupid. If the point of conceptual art is to challenge preconceptions, doesn't that presuppose that the artist has some privileged perspective on the world that is inaccessible to the rest of us normal people? Of all people in the world who I'd look to for a new perspective, the last person would be some self-absorbed coke snorting "artiste" whose closest connection to the outside world is Queens. I suppose you could use some sort of marxist/freudian argument divorcing artistic intent from effect, but seriously you'd still have to rely upon the same pompous, talentless, drug-addled hack as your medium. *Cough* Tracey Emin *Cough*.

What makes the act of artistic creation so special that it can get around the Duhem-Quine problem that is so problematic for scientific enquiry? Magic? Cocaine? Magical cocaine? Discuss amongst yourselves.

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What what what? How is it possible that slate.com has a french version?

I only have so much hate to give, vas te faire foutre slate.fr!

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Goodbye Iran we loved ye

by Gimpei | 08:43 in | comments (1)

I was wondering how long Iran could stay in the headlines... Looks like its fifteen minutes have passed. Oh well, I guess I'll go listen to human nature.

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I've heard a lot of terms in my time to describe the US government: bloated, constricting, fat, amoral, etc.

But I've never heard constipated, until now that is...

When will Posner shut up? You'd think such a free market enthusiast would feel just a tad bit chastened after the financial meltdown. But no, he's still yabbering on like a senile old man on the porch of a house in Maine who smokes from a pipe and says ayuh a lot.

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